Title: Urban forms and colonial confrontations: Algiers under French rule 
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French  Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
Similar Items

Title: War, memory, and the politics of humor: the Canard enchaîné and World War I
Author: Douglas, Allen 1949-
Published: University of California Press,  2002
Subjects: History | French  Studies | European History | European Literature | Print Media
Publisher's Description: War, Memory, and the Politics of Humor features carnage and cannibalism, gender and cross-dressing, drunks and heroes, militarism and memory, all set against the background of World War I France. Allen Douglas shows how a new satiric weekly, the Canard Enchaîné, exploited these topics and others to become one of France's most influential voices of reaction to the Great War. The Canard, still published today, is France's leading satiric newspaper and the most successful periodical of the twentieth century, and Douglas colorfully illuminates the mechanisms of its unique style. Following the Canard from its birth in 1915 to the eve of the Great Depression, the narrative reveals a heady mix of word play, word games, and cartoons. Over the years the journal--generally leftist, specifically antimilitarist and anti-imperialist--aimed its shots in all directions, using some stereotypes the twenty-first century might find unacceptable. But Douglas calls its humor an affirmation of life, and as such the most effective antidote to war.   [brief]
Similar Items

Title: Art nouveau in fin-de-siècle France: politics, psychology, and style
Author: Silverman, Debora Leah
Published: University of California Press,  1989
Subjects: History | Art History | French  Studies | European History | Intellectual History
Similar Items

Title: Space in the tropics: from convicts to rockets in French Guiana 
Author: Redfield, Peter 1965-
Published: University of California Press,  2000
Subjects: Anthropology | Cultural Anthropology | Geography | French  Studies | European Studies | Technology
Publisher's Description: Rockets roar into space - bearing roughly half the world's commercial satellites - from the same South American coastal rainforest where convicts once did time on infamous Devil's Island. What makes Space in the Tropics enthralling is anthropologist Peter Redfield's ability to draw from these two disparate European projects in French Guiana a gleaming web of ideas about the intersections of nature and culture. In comparing the Franco-European Ariane rocket program with the earlier penal experiment, Redfield connects the myth of Robinson Crusoe, nineteenth-century prison reform, the Dreyfus Affair, tropical medicine, postwar exploration of outer space, satellite technology, development, and ecotourism with a focus on place, and the incorporation of this particular place into greater extended systems. Examining the wider context of the Ariane program, he argues that technology and nature must be understood within a greater ecology of displacement and makes a case for the importance of margins in understanding the trajectories of modern life.   [brief]
Similar Items

Title: Spectacular realities: early mass culture in fin-de-siècle Paris
Author: Schwartz, Vanessa R
Published: University of California Press,  1998
Subjects: History | French  Studies | European History | European Literature | Women's Studies | Film
Publisher's Description: During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle.Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.   [brief]
Similar Items

Title: Toward a new poetics: contemporary writing in France: interviews, with an introduction and translated texts 
Author: Gavronsky, Serge
Published: University of California Press,  1994
Subjects: Literature | Poetry | European Literature | Literary Theory and Criticism | Writing | French  Studies
Publisher's Description: A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments.As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing ( écriture ) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text.These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself.   [brief]
Similar Items

Title: Paris as revolution: writing in the nineteenth-century city 
Author: Ferguson, Priscilla Parkhurst
Published: University of California Press,  1997
Subjects: Literature | Social Theory | European Literature | Literary Theory and Criticism | European History | French  Studies
Publisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.   [brief]
Similar Items

Title: From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France 
Author: Melzer, Sara E
Published: University of California Press,  1998
Subjects: History | European History | French  Studies | European Literature | Cinema and Performance Arts | Politics
Publisher's Description: In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.   [brief]
Similar Items

Title: The Jews of modern France
Author: Hyman, Paula 1946-
Published: University of California Press,  1998
Subjects: Jewish Studies | French  Studies | European Studies | History | European History | Judaism | Urban Studies
Publisher's Description: The Jews of Modern France explores the endlessly complex encounter of France and its Jews from just before the Revolution to the eve of the twenty-first century. In the late eighteenth century, some forty thousand Jews lived in scattered communities on the peripheries of the French state, not considered French by others or by themselves. Two hundred years later, in 1989, France celebrated the anniversary of the Revolution with the largest, most vital Jewish population in western and central Europe.Paula Hyman looks closely at the period that began when France's Jews were offered citizenship during the Revolution. She shows how they and succeeding generations embraced the opportunities of integration and acculturation, redefined their identities, adapted their Judaism to the pragmatic and ideological demands of the time, and participated fully in French culture and politics. Within this same period, Jews in France fell victim to a secular political antisemitism that mocked the gains of emancipation, culminating first in the Dreyfus Affair and later in the murder of one-fourth of them in the Holocaust. Yet up to the present day, through successive waves of immigration, Jews have asserted the compatibility of their French identity with various versions of Jewish particularity, including Zionism. This remarkable view in microcosm of the modern Jewish experience will interest general readers and scholars alike.   [brief]
Similar Items

Title: The frail social body: pornography, homosexuality, and other fantasies in interwar France
Author: Dean, Carolyn J. (Carolyn Janice) 1960-
Published: University of California Press,  2000
Subjects: History | Gender Studies | European History | Literary Theory and Criticism | French  Studies
Publisher's Description: Amid the national shame and subjugation following World War I in France, cultural critics there - journalists, novelists, doctors, and legislators, among others - worked to rehabilitate what was perceived as an unhealthy social body. Carolyn J. Dean shows how these critics attempted to reconstruct the “bodily integrity” of the nation by pointing to the dangers of homosexuality and pornography. Dean's provocative work demonstrates the importance of this concept of bodily integrity in France and shows how it was ultimately used to define first-class citizenship. Dean presents fresh historical material - including novels and medical treatises - to show how fantasies about the body-violating qualities of homosexuality and pornography informed social perceptions and political action. Although she focuses on the period from 1890 to 1945, Dean also establishes the relevance of these ideas to current preoccupations with pornography and sexuality in the United States.   [brief]
Similar Items

Title: Images of intolerance: the representation of Jews and Judaism in the Bible moralisée
Author: Lipton, Sara 1962-
Published: University of California Press,  1999
Subjects: Jewish Studies | Medieval Studies | French  Studies | Medieval History | Art History | Judaism
Publisher's Description: Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralisée , are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance , Sara Lipton offers a nuanced and insightful reading of these extraordinary sources.Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralisée are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.   [brief]
Similar Items

Title: The fountain of privilege: political foundations of markets in Old Regime France and England 
Author: Root, Hilton L
Published: University of California Press,  1994
Subjects: History | Politics | Economics and Business | European History | Sociology | French  Studies
Publisher's Description: Hilton Root's new book applies contemporary economic and political theory to answer long-standing historical questions about modernization. It contrasts political stability in Georgian England with the collapse of the Old Regime in France. Why did a century of economic expansion rupture France's political foundations while leaving those of Britain intact? Comparing the political and financial institutions of the two states, Root argues that the French monarchy's tight control of markets created unresolvable social conflicts whereas England's broader power base permitted the wider distribution of economic favors, resulting in more flexible and efficient markets.   [brief]
Similar Items

Title: The ciné goes to town: French cinema, 1896-1914
Author: Abel, Richard 1941-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | French  Studies | European History | Popular Culture
Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents.
Similar Items

Title: Downcast eyes: the denigration of vision in twentieth-century French thought
Author: Jay, Martin 1944-
Published: University of California Press,  1993
Subjects: Philosophy | Intellectual History | French  Studies | Literary Theory and Criticism | Art Theory
Publisher's Description: Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.   [brief]
Similar Items

Title: Big business and industrial conflict in nineteenth-century France: a social history of the Parisian Gas Company 
Author: Berlanstein, Lenard R
Published: University of California Press,  1991
Subjects: History | European History | French  Studies | Economics and Business | Technology and Society
Publisher's Description: Founded in 1855, the Parisian Gas Company (PGC) quickly developed into one of France's greatest industrial enterprises, an exemplar of the new industrial capitalism that was beginning to transform the French economy. The PGC supplied at least half the coal gas consumed in France through the 1870s and became the city's single largest employer of clerical and factory labor. Representing a new form and scale of capitalistic endeavor, the firm's history illuminates the social tensions that accompanied the nation's industrialization and democratization.To study the company over its fifty-year life is to see industrializing France writ small. Using previously untapped company archives, Lenard R. Berlanstein has written a rich and detailed study that skillfully bridges the divide between business, social, and labor history.   [brief]
Similar Items

Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French  Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
Similar Items

Title: The honeysuckle and the hazel tree: medieval stories of men and women 
Author: Terry, Patricia Ann 1929-
Published: University of California Press,  1995
Subjects: Literature | Literature in Translation | European Literature | Poetry | Literary Theory and Criticism | French  Studies | Medieval Studies | Gender Studies
Publisher's Description: Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition.From Chrétien de Troyes Terry includes an early work, Philomena , here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi , a fatalistic and perhaps more modern depiction of love.   [brief]
Similar Items

Title: The king's midwife: a history and mystery of Madame du Coudray 
Author: Gelbart, Nina Rattner
Published: University of California Press,  1998
Subjects: History | European History | Women's Studies | Autobiographies and Biographies | French  Studies | History and Philosophy of Science | Medicine
Publisher's Description: This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angélique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.Who was the woman, both the private self and the pseudonymous public celebrity? Nina Rattner Gelbart reconstructs Madame du Coudray's astonishing mission through extensive research in the hundreds of letters by, to, and about her in provincial archives throughout France. Tracing her subject's footsteps around the country, Gelbart chronicles du Coudray's battles with finance ministers, village matrons, local administrators, and recalcitrant physicians, her rises in power and falls from grace, and her death at the height of the Reign of Terror. At a deeper level, Gelbart recaptures du Coudray's interior journey as well, by questioning and dismantling the neat paper trail that the great midwife so carefully left behind. Delightfully written, this tale of a fascinating life at the end of the French Old Regime sheds new light on the histories of medicine, gender, society, politics, and culture.   [brief]
Similar Items